“The Water” and “Wired” ended up becoming about the writing process itself and all the emotions that were bouncing off the walls of their Airbnb studio. “Space” was the first track to be completed, with an arena-rock feel. Some of this energy was also channeled into “Stranger,” a scratching and brooding track with palpable notes of frustration. It was such a strong thing.”Īs pressure was applied, the first song to seep from the cracks was “Dangerous.” At first glance, the song is fun and arrogant, but as you get to know it you’ll pick up on an anxious energy and unshakable instability lurking just under the surface. “I think from a lyrical standpoint I really had to just embrace the immediacy of what I was feeling. As we started working on the songs, we realized that we hadn’t actually had a proper conversation about what we wanted it to be, we just had all these different ideas with no real concept of how we were going to glue them all together,” explains frontman Trenton Woodley. It was this super intense stress of trying to make this all happen with less time than we planned. “We ended up with this really interesting sort of cross section of both chaos and calm. Their producer got held up with another commitment, and they ended up losing nearly a third of their allocated recording time. The rinse and repeat of this process left them with the songs we hear on Hands Like Houses, but the process didn’t quite go as expected. The band spent their mornings in the ocean, their days recording, and their nights going out to dinner before returning to the grind. Hands Like Houses was recorded at an Airbnb by the beach about an hour and a half north of Sydney. in 2018, Hands like Houses has enjoyed a more balanced touring schedule and shifted their focus to creating smaller bodies of work like their latest self-titled EP. Since the release of their fourth full length LP Anon.
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